JVC DLA-NZ500

5.999 €

VAT included

Native 4K laser projector

Colour

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Redesigned all parts
The optical unit, lens and circuit board have been redesigned to achieve the world's smallest native 4K projector.

Reduced size

The DLA-NZ500 is 35% smaller in size than its predecessor the DLA-NZ7 without giving up the laser light source and Native 4K D-ILA devices.

Redesigned air intake

By placing the heat exhaust at the rear, its potential impact on image projection is eliminated. This allows for greater installation flexibility.

Environmental considerations

The design of the new projector models uses significantly less plastic, which also reduces transport costs. This results in a much more environmentally friendly device.

0.69" 4K Native D-ILA devices that improve video quality

JVC's proprietary 0.69" 4K Native D-ILA device has been optimised for even better black detail.

High Native Contrast

The DLA-NZ500 achieves a native contrast of 40,000:1 which is achieved by improving alignment control and pixel flatness.

Uniform brightness

The manufacturing process has improved brightness uniformity across the entire screen, achieving beautiful picture quality in every corner

Low Latency

The low latency design greatly improves the response to fast user operation, making it effective when projecting high refresh rate video games on a large screen.

High brightness and long life

JVC's proprietary Blu-Escent laser light source uses a blue laser diode as the light source. The DLA-NZ500 achieves a brightness of 2,000 lumens. Its life expectancy is around 20,000 hours.

Improved efficiency

The JVC DLA-NZ500's brightness per watt of power is approximately double that of the first BLU-Escent laser-equipped model (the DLA-Z1, launched in January 2017 and with a brightness of 3000 lumens).

Controlled luminance in 101 steps

The BLU-Escent laser can easily adjust the luminance according to ambient lighting and user preferences thanks to the Light Source Control setting. There are a total of 101 levels (from 0 to 100) that you can use to reach the target luminance in the environment and display.

Superior Resolution

The newly designed, large-aperture Lens (80mm, 11 groups, 15 lenses) with 4K compatibility delivers native D-ILA 4K resolution to all corners of the screen.

HDR dramatically enhances the expressive power of images

When it comes to reproducing the rich information of HDR content, including extended brightness range, BT.2020 colour gamut and 10-bit gradation, trust D-ILA projectors. Compatible with all HDR formats including HDR10 for Blu-ray and streaming, HLG for broadcasting and HDR10+ with dynamic metadata support. This projector features enhancements that give it greater brightness and contrast, and have helped to achieve a higher dynamic range, allowing users to enjoy an immersive audio experience with fully realistic HDR images.

DML (Display Mastering Luminance) for a better HDR experience

DML (Max Display Mastering Luminance) metadata, with the nit level of professional-grade monitors used to meet the film director's standards, is used to establish the dynamic range of the work through enhanced HDR tonal mapping. In the DLA-NZ500, both DML and MaxCLL values are used for HDR levels.

What is HDR10+

In HDR10, the basic standard for HDR content playback, there are only two pieces of information: MaxCLL, which represents the maximum brightness of the content, and MaxFALL, which represents the average maximum brightness. However, with HDR10+, the lighting information for each scene is embedded in the content as metadata, enabling scene-specific tonal mapping that faithfully reproduces the HDR image as the creator intended.

HDR Frame Adapt function for brighter, more colourful HDR images

The HDR Frame Adapt feature, which uses a proprietary algorithm to instantly analyse the maximum brightness of any HDR content per scene or frame and reproduces in real time the optical tonal mapping for the dynamic range of the projection, has evolved to its second generation. The tonal mapping algorithm has been completely re-examined to achieve HDR images with higher definition. In addition, the proprietary algorithm for colour curve selection has also been improved to reproduce HDR images that are brighter, more colourful and have greater dynamic range.

Blacker blacks for greater gradation

The new Deep Black Tone Control joins Frame Adapt HDR with a new algorithm to add more tones in dark areas for more realistic darkness. This feature maximises the dynamic range of the new generation of 4K D-ILA devices and delivers images with more contrast than ever before. Scenes with dark lights and shadows such as nightscapes can be projected more realistically.

Vivid picture mode for SDR colour reproduction

Vivid picture mode is a Standard Dynamic Range (SDR) mode that reproduces content in rich colours. You can enjoy popular SDR video content such as animation in sharp images with bright, rich colours.

Features:

D-ILA Technology: Yes
Chip type: 0.69-inch 4K D-ILA device
Native resolution: 4096 x 2160
Number of chips: 3
Display resolution: 4096 x 2160
Light source
Laser: Yes
Type: BLU-Escent Laser Diode
Lifetime (Standard Mode): 20000 hours

Image

Brightness: 2000 lm
Dynamic Contrast: 8 : 1
Native Contrast: 40000 : 1
Dynamic Light Power Control: Yes
Modes: Low,High,Balance,Off
Manual aperture: Yes
Range: -15 (stops down) to 0 (opens up)
100% REC 709: Yes
Colour Bit Depth: 12 bit
ISFccc Certification: Yes

HDR

HDR10: Yes
HDR10+: Yes
Frame Adapt HDR: Yes
HLG: Yes
Mastering Info Display: Yes
Info data: MaxCLL, MaxFALL , DML
Deep Black Tone Control: Yes

Lens

Zoom: 1.6 x
Shooting Ratio: 1.34 - 2.14 (16:9); 1.26 - 2.01 (17.9)
Diameter: 80 mm
Construction: 15-element, 11-group.
Lens shift: Yes
Horizontal range: ± 28 %
Vertical range: ± 70 %
Power zoom: Yes
Power Shift: Yes
Motorised focus: Yes
Screen size (diagonal): 60 - 200 inch
Memory function: Yes
User presets: 5
Lens cap: Yes

HDMI

HDMI: Yes
Inputs: 2
Data Rate: 32 Gbps
HDCP version: 2.3
4K60P signal input: Yes
Video signal range: 480p, 576p, 720p 60/50, 1080p 60/ 50/ 30/ 25/ 24, 3840 x 2160p 60/ 50/ 30/ 25/ 24, 4096 x 2160p 60/ 50/ 30/ 25/ 24
PC signal range: 640x480, 800x600, 2048x1080, 1600x1200, 1920x1200, 2048x1536, 2560x1440
Input level adjustment: Auto / Standard (16-235) / Enhanced (0-255) / Super White (16-255)
Colour space range: Auto / YCbCr444 / YCbCr422 / RGB
EDID modes: Standard, Option1 , Option2 (older hardware may need to use Option1 or Option2 settings)

Connections

LAN: Yes
Connector: RJ45
Service: Yes
Connector: USB (Type A) for firmware update or backup

Image settings

Picture modes: Natural, Cinema, Filmmaker, Vivid, Frame Adapt HDR1,Frame Adapt HDR2, HDR10+, HLG, FilmMaker, 4 User modes
Colour Temperatures: 5500K, 6500K, 7500K, 9300K, High Bright, HDR10+, HDR10, HLG, Custom 1, Custom 2
Gamma processing depth: 12 bit
Gamma Adjustment: HDR (Auto), HDR(PQ), HDR(HLG), 2.2, 2.4, 2.6, Cinema 1, Cinema 2, Vivid, 3 Custom modes
Colour management: 6-Axis adjustable CMS
MPC: Yes
Filmmaker Mode: Yes
Low Latency Mode: Yes
Auto Calibration: Yes
Installation Mode: Yes
Number of Modes: 5
Settings included: Lens Control, Pixel Adjustment, Mask, Anamorphic on or off, Screen Adjust, Installation Style, Keystone, and Aspect
Anamorphic Modes: 4 Modes (A, B, C, D)
SDDP Control4: Yes

Power and Environment

Power requirement: AC100-240V, 50/60Hz
Projector in use: 280W
Standby: Eco-mode: 0.3W
Network Standby: 1.5W (LAN)
Eco-mode: Yes
Standby timer: Yes
Operating Temperature: 5°C to 35°C
Operating Humidity: 20% to 80% Operating Humidity: 20% to 80% Operating Humidity: 20% to 80% Operating Humidity: 20% to 80%
Installation angle: Horizontal +/- 10 degree / Vertical +/- 10 degree
Installation height: Below 2,000 m

In the box